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Here in Lunchmeat Land, we’re continually keen on shining the VHSpotlight on fellow Tapeheads who share the unbridled joys of insano magnetic magic with radical indie screenings straight from a VHS source. Because, I mean, what’s better than snackin’ some snacks and crackin’ some laughs with a group of bodacious buds as you ingest some brain-smashing cinema via VHS? Not a whole lot, mang! Cue Seattle Videovores Alicia Betty and Gvn also known as VHS UBER ALLES. Originating as party time excellent potlucks paired with mind-melting slabs of analog glory viewed home-style, this labor of video love has since been...

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The more fun-loving movie maniacs and Troma-tized Tapeheads out there are apt to be familiar with indie film ace Mike Hartman. Flicks like the gut-busting rock n’ roll comedy Heavy Mental and the absolutely bonkers Blood Orgy at Beaver Lake both exemplify Mike’s pleasantly perverted and radically ridiculous style of filmmaking that has the power to make people pop low-budget boners everywhere. And now, he’s just completed a brand-spankin’ new creature flick that takes cues from cult classics like Critters and Ghoulies, but slathers these little space freaks with a luscious layer of lascivious intent as they try to butt-bomp...

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Tom “The Dude Designs” Hodge is a name you’re likely to recognize if you’re at all in touch with the world of modern movie art. His part flashy, part trashy mode of style harkens back to essential Grindhouse aesthetics, but also drips with a glaze of crisp design class that distinguishes his readily recognizable neo-retro style. Through amassing his impressive set of accolades from heavy hitting media outfits the world over, he’s been able to lend his talents to an array of artistic endeavors from movie posters to Blu-Ray and PS3 covers to car care packaging. The Dude seemingly does...

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From the same video vindicators that brought you the bodacious big box package for the lost low-budget horror flick THE BASEMENT, and also supplied your VCRS (in tandem with us here at LUNCHMEAT!) with a radical re-issue of Gary Cohen’s shot-on-video classics VIDEO VIOLENCE and VIDEO VIOLENCE 2 in a deluxe Diehard Videovore edition, here comes another slab of rewind retribution in the form of Jacob Ennis’ backwoods blood-belcher called KILL, GRANNY, KILL! unleashed via analog in a full-color, bottom load slipcase that'll sure sit pretty on your shelf with amazing 80s-inspired artwork from the too groovy Sadist Art Designs!...

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Lee Thompson is one bodacious illustrator based out of Philadelphia who has a passionate predilection for 80s aesthetics. He’s just about ready to graduate from the University of the Arts, and for his senior project he’s decided to go all out in celebrating the artistic attributes of the analog era by creating the trailer, packaging and managing the overall production for his shot-on-video short film / trailer project entitled GUNS DRAWN. The attention to detail and artistic finesse from Thompson is abundantly evident throughout the presentation from the die-cut big box / clamshell combination to the gobs of groovy goodies...

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